Moonlight Drama Club 月光戲劇俱樂部 -- 1
by cAmilla Wu
Friday, January 15th, 2010
1. The definition of drama
Drama is the specific mode of fiction represented in performance.[1] The term comes from a Greek word meaning "action", which is derived from "to do" (Classical Greek: δράω, dráō). The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception.[2] The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BCE) by Sophocles are among the supreme masterpieces of the art of drama.[3]
The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene. Thalia was the Muse of comedy (the laughing face), while Melpomene was the Muse of tragedy (the weeping face). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BCE)—the earliest work of dramatic theory.[4]
The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrow sense that the film and television industry and film studies adopted to describe "drama" as a genre within their respective media.[5] "Radio drama" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.[6]
Drama is often combined with music and dance: the drama in opera is sung throughout; musicals include spoken dialogue and songs; and some forms of drama have regular musical accompaniment (melodrama and Japanese Nō, for example).[7] In certain periods of history (the ancient Roman and modern Romantic) dramas have been written to be read rather than performed.[8] In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.[9]
Legal Status in UK
The Copyright, Designs and Patents Act 1988 does not define a dramatic work except to state that it includes a work of dance or mime. However, it is clear that dramatic work includes the scenario or script for films, plays (written for theatre, cinema, television or radio),[32] and choreographic works.[33]
Forms of drama -- opera, pantomime and creative drama
Opera
Western opera is a dramatic art form, which arose during the Renaissance in an attempt to revive the classical Greek drama tradition in which both music and theatre were combined. Being strongly intertwined with western classical music, the opera has undergone enormous changes in the past four centuries and it is an important form of theatre until this day. Noteworthy is the huge influence of the German 19th century composer Richard Wagner on the opera tradition. In his view, there was no proper balance between music and theatre in the operas of his time, because the music seemed to be more important than the dramatic aspects in these works. To restore the connection with the traditional Greek drama, he entirely renewed the operatic format, and to emphasize the equal importance of music and drama in these new works, he called them "music dramas".
Chinese opera has seen a more conservative development over a somewhat longer period of time.
Pantomime
These stories follow in the tradition of fables and folk tales, usually there is a lesson learned, and with some help from the audience the hero/heroine saves the day. This kind of play uses stock characters seen in masque and again commedia del arte, these characters include the villain (doctore), the clown/servant (Arlechino/Harlequin/buttons), the lovers etc. These plays usually have an emphasis on moral dilemmas, and good always triumphs over evil, this kind of play is also very entertaining making it a very effective way of reaching many people. Creative Drama
Creative Drama refers to dramatic activities and games used primarily in educational settings with children. Its roots in the United States began in the early 1900s. Winifred Ward is considered to be the founder of creative drama in education, establishing the first academic use of drama in Evanston, Illinois.
--From Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Drama)
2. The definition of play
Play is a form of literature written by a playwright, usually consisting of scripted dialogue between characters, intended for theatrical performance rather than reading. There are rare dramatists, notably George Bernard Shaw, who have had little preference whether their plays were performed or read. The term "play" can refer to both the written works of playwrights and to their complete theatrical performance.
History
The earliest recorded theatrical event dates back to 2000 BC with the passion plays of Ancient Egypt. This story of the god Osiris was performed annually at festivals throughout the civilization, marking the known beginning of a long relationship between theatre and religion.
In Western culture, the play originated in Ancient Greece and was popular through Roman times.They began to fade from popularity until the late 16th century, when Shakespeare popularised theatres and plays. His influence on this literary form, and the English language, is still apparent today.
Shakespeare may, in fact, have helped introduce the play to England, as before the late 1500s there were no set plays in England, just wandering minstrels performing scenes on request.
The history of plays in Eastern theatre is traced back to 1000 BC with the Sanskrit drama of ancient Indian theatre. The earliest plays in Chinese theatre also date back to around the same time. Japanese forms of Kabuki, Noh, and Kyogen date back to the 17th century. Other Eastern forms were developed throughout China, Korea, and Southeast Asia.
The most popular plays in the medieval Islamic world were passion plays known as ta'ziya, where actors re-enact episodes from Muslim history. In particular, Shia Islamic plays revolved around the shaheed (martyrdom) of Ali's sons Hasan ibn Ali and Husayn ibn Ali. Live secular plays were known as akhraja, recorded in medieval adab literature, though they were less common than ta'ziya plays.
Genres-- comedy, farce, satirical, tragedy, historical
Comedy
Comedies are plays which are designed to be humourous. Comedies are often filled with witty remarks, unusual characters, and strange circumstances. Certain comedies are geared toward different age groups. Comedies were one of the two original play types of Ancient Greece, along with tragedies.
Farce
A generally nonsensical genre of play, farces are often overacted and often involve slapstick humour.
Satirical
A satire is a play that tends to poke fun at current events or famous people.
Tragedy
These plays often involve death and are designed to cause the reader or viewer to feel sadness. Tragic plays convey all emotions, and have extremely dramatic conflicts. Tragedy was one of the two original play types of Ancient Greece.
Historical
These plays focus on actual historical events. They can be tragedies or comedies, but are often neither of these. History as a separate genre was popularised by William Shakespeare.
Terminology
The term "play" can be either a general term, or more specifically refer to a non-musical play. Sometimes the term "straight play" is used in contrast to "musical", which refers to a play based on music, dance, and songs sung by the play's characters. For a short play, the term "playlet" is sometimes used.
--From Wikipedia, the free encyclopedia (http://en.wikipedia.org/wiki/Drama)
3. Show Time
cAmilla
Love, Peace, Hope & Future!
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