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也談爵士鋼琴手Michel Petrucciani
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四分衛
faith信心
anybody
稻柏臨
■♀醫楊曉萍
西蒙
筆記阿本

在自己網誌發表的

想說跟藝術相關  順便貼來這裡替城市拼點人氣

原文在這裡喔


他的琴聲有一種清晰的透明感
直接穿透到聽者心裡

小巨人達到這種明晰的功力 借助的不是感情的充沛
反而是那有高度控制力的技巧--尼采說的阿波羅精神
不管是現場即興或錄音室作品
聽者可以發現 小巨人到了某個觸發點時
他那完整又圓潤的成套即興手法
馬上可以犀利地介入
而且立刻吸引聽者的注意力
他不像Bill Evans, Keith Jarrett那類鋼琴手
樂手的配合與當下的情感湧動能造成相當可觀的影響.......

因此聽小巨人演奏
有一種很"爽"的效應
我們能期待他一段段精采的表演 甚至炫技
一定不會落空
我們就是要聽他那百聽不衰的即興套曲
他把一切工作都擔在自己身上 他什麼都準備好了
聽眾享受就好
這種特色 法國Champ Elysee的演出可謂代表
不過 當他想放下那些即興套曲 追求純粹情感的演奏時
曲情聲調就有時太黯淡了

關於他的禿頭....純屬巧合......

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文章推薦人 (1)

稻柏臨

他生為玻璃娃娃osteogenensis imperfecta (a bone disease that greatly stunted his growth) , 卻有鋼鐵的意志, 享年36歲

http://elvispelvis.com/michelpetrucciani.htm

Michel Petrucciani, Jazz Pianist, Is Dead at 36

 By STEPHEN HOLDEN 

               NEW YORK -- Michel Petrucciani, a French jazz pianist and composer with an international following whose keyboard virtuosity earned him comparisons to Art Tatum and Bill Evans, died Wednesday at Beth Israel Hospital in Manhattan. He was 36 and lived in Manhattan.  

          The cause was a pulmonary infection, said a representative of his French record company, Francis Dreyfus Music.  

          Petrucciani was a national hero in France, and his records were best sellers in Europe. French President Jacques Chirac was among the many who paid tribute to him Wednesday, praising his ability to "renew jazz, giving himself up to his art with passion, courage and musical genius." He called him an "example for everyone."  

          The career of Petrucciani, who was considered one of the great romantics of the jazz piano, lourished in spite of a severe physical disability. The pianist was born with osteogenesis imperfecta, also known as "glass bones," a disease that stunted his growth (he was only three feet tall and weighed barely 50 pounds) and weakened his bones. Petrucciani had to be carried onto the stage, and he used a special attachment to work the sustaining pedal of the piano.  

          The ailment didn't affect his hands, however, and he played with a seemingly inexhaustible vigor and enthusiasm.  

          Petrucciani was born to Italian parents in Montpellier, France. His family was musical, and as a child he played the drums in a band with his father, Tony, a guitarist, and his brother Louis, a bassist. After studying classical music for eight years, he turned to jazz full time because he loved to improvise and wanted to write his own music.  

          He began his professional career when he was 15, playing for the drummer and vibraphonist Kenny Clarke.  

          Moving to Paris, he recorded his first album at 17, and he was appearing regularly at European jazz festivals while still a teen-ager. After a visit to New York he toured France in a duo with the saxophonist Lee Konitz, with whom he recorded an album of duets.  

          While in California in 1981, Petrucciani was discovered by the saxophonist Charles Lloyd, who made him a member of his quartet. They toured Europe and recorded an album, "Montreux '82." One of his most acclaimed early recordings, "100 Hearts" (Concord), was an album of solos.  

          Between 1986 and 1994, he made seven albums for Blue Note Records, including "Power of Three" (with Wayne Shorter and Jim Hall), and an acclaimed album of original songs, "Michel Plays Petrucciani" (Blue Note).  

          In 1994 he was made a knight of the Legion of Honor in Paris.  

          For all the comparisons to Bill Evans, Petrucciani had found his own style, which was more aggressive, fuller and sunnier than that of his idol and incorporated secondary influences as disparate as McCoy Tyner and Debussy.  

          A marriage to Gilda Butta, a pianist, ended in divorce.  

          He is survived by his companion, Isabelle, his publicist said, and by a son, Alexandre, and a stepson, Rachid Roperch, both of Paris, from a previous relationship.  

          At the time of his death, he was hoping to set up an international jazz school in France.  

          "It's my life's work," he said. "Jazz is dying out." 

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