Her second phase is known by the name anthropophagic (once again after a manifesto by Oswald de Andrade, who had this time been inspired by one of his wife's works).
http://www.tarsiladoamaral.com.br/images/JPG/OPERARIOS50.jpg
'Operários'-1933
The third phase followed a trip by Tarsila to the Soviet Union and shows her preoccupied with social themes, as in the paintings Segunda Classe (1933) (Second Class) and Operários (1933) (Workers).
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